I am an interdisciplinary artist and researcher exploring the entangled relationships between humans, technology, and the natural world. In my work, technology is a mirror that reveals the values, desires, and limitations of the culture that creates it. When digital tools attempt to capture or simulate organisms, geologies, or ecologies, they often produce distortions and hallucinations. My process is experimental and open-ended. I work with diverse archives—natural history collections, cultural and organic objects, field photographs, and historical images—and feed this material into emerging technologies such as photogrammetry, AI image generators, simulation software, 3D printers, and CNC machines. Rather than pursuing predetermined outcomes, I look for how these systems engage with, translate, and misinterpret the non-human. The resulting works become visual evidence of the biases and blind spots embedded in technological tools, revealing how contemporary Western culture situates itself relative to the more-than-human world.
This portfolio features a selection of works created since 2019.
This portfolio features a selection of works created since 2019.