Lost Thicket (detail), 2025, birch panel with 3D-printed bioplastic relief, 162 × 192 in.
Installed inside a preserved nineteenth-century log cabin, Lost Thicket reflects on the incompleteness of ecological archives. In the southern pine forests, industrial logging erased millennia of biodiversity in mere decades. In this installation, I reference sacred architecture, meditative practices, ecological loss, and digital artifice to create a subtly unsettling environment that asks how digital technologies echo extractive industries and reshape ecological memory.
Inside the cabin, I used projectors to cast video onto suspended panel walls with 3D-printed relief. A meditative surround-sound composition, built from field recordings and solfeggio frequencies, enhances the immersive environment. The relief imagery and animation originate from a photographic archive I created at Big Thicket National Preserve and developed through an experimental workflow involving AI and 3D modeling.
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Inside the cabin, I used projectors to cast video onto suspended panel walls with 3D-printed relief. A meditative surround-sound composition, built from field recordings and solfeggio frequencies, enhances the immersive environment. The relief imagery and animation originate from a photographic archive I created at Big Thicket National Preserve and developed through an experimental workflow involving AI and 3D modeling.
Lost Thicket (detail), 2025, installation at the San Antonio Botanical Garden’s East Texas log cabin